Profesyonel video düzenlemenin temel aracı
Adobe Premiere ProCS4 sayesinde, her karenizi değerlendirin. DV'den sıkıştırılmamış HD'ye
kadar hemen her formattan işleyin ve DVD, Blue-Ray, mobil veya web için
film üretin.
Yaratıcı montaj için verimli araçlar
Timeline içerisinde doğrudan yüksek kalitede görsel ve metin efektleri
yaratın. Ağır çekim ve diğer zaman efektlerini gerçek zamanlı geri
bildirim ve kesin keyframe kontrolü ile mükkemelleştirin. Adobe
Premiere Pro ile renk düzeltmeleri, ışıklandırma, ses filtreleri gibi
bir çok seçeneğinin yanı sıra çoklu kamera çekimlerini hızlı, kolay ve
hassas bir şekilde montajlayın.
Video format desteği
Sizin istediğiniz formatıyla çalışın: DV, HD veya HDV seçim sizin. (bazı formatlar için ek donanım gerekebilir.)
Now
that Adobe is heavily locked into a strategy of suites rather than
individual applications, most of the company's software gets a revision
at the same
time.
So whilst much of the excitement has been about Photoshop CS4 and its
alleged GPU acceleration, Adobe's video apps have new versions as well.
This week we look at Adobe's workhorse video editor, Premiere Pro CS4.
As the oldest video editing app on the PC platform, Premiere has an
illustrious history. The switch to Premiere Pro accompanied a complete
change of the codebase, but the interface has simply evolved. So CS4
doesn't look significantly different from CS3, although it does have a
couple of important innovations. The New Project dialog no longer sets
an overall format, just your preferred capture configuration. This is
because individual sequences within a project can now each have their
own base format. This will come in handy if you shoot with a variety of
disparate camcorders. You can edit each natively, then nest the
sequences together.
But the most significant development ‘under the hood' is that, like
Adobe Premiere Elements7, AVCHD files are now supported. Whilst this is predominately a
consumer format, Panasonic in particular has been backing it with
professional models, such as the AG-HMC151, which we will be reviewing
next week. Consumer models have also reached a level where they could
well be called upon for occasional shoots. So Adobe has added AVCHD
just in the nick of time.
The delay seems to have been worthwhile, though, as Adobe's
implementation is very slick indeed. Editing is extremely fluid.
Naturally, frame rates drop more rapidly than with HDV as you add
effects and layers, but it's still the most responsive AVCHD editing
we've experienced yet. This isn't the only new format support added,
either. Premiere Pro can now edit footage from the Red One, Panasonic's
P2 cards, and Sony's XDCAM EX and HD, which covers pretty much every
professional tapeless format currently available.
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